I was introduced to Makoto Fujimura, a Japanese artist living in New York, earlier this year, and want to share his work with you! Watch the video below to learn more about him and how he is impacting artists in New York and around the world by painting and interpreting the Gospels in his work.
Here is a look at the Four Holy Gospels
Matthew - Consider the Lilies
Consider the Lilies is done with over sixty layers of finely pulverizes
precious minerals (azurite and malachite), oyster shell white, and
painted with sumi ink that has been cured for over a century, as well as
gold and platinum powders, mixed with Hide glue (Japanese Sanzenbon,
which is no longer being made), to adhere the minerals onto a
hand-pulled Japanese paper. The painting depicts Easter lilies, with
triumvirate flowers opening up, but with the suggestion that even these
common lilies are transformed into a post-Resurrection, generative
reality.
Mark - Water Flames
Mineral Pigments, Gold, Cochineal on Kumohada, 48 x 60 inches
Water Flames
series depict the way in which flames not only consumes, but ultimately
sanctify. These works recall the visual language of the apocalyptic,
moody paintings of the American artist Mark Rothko (1903-1970) - using
Japanese vermillion, gold, platinum powders and cochineal (made from
India's dye made from an cochineal insect). The work moves our gaze
upward, even as we stand in the ever-expanding Ground Zero conditions of
the world.
Mineral Pigments, Gold, Platinum on Kumohada,48 x 60 inches
The title of this work, based on a well known tale of the lost son in
Luke 15, is taken's from my pastor Timothy Keller's book, Prodigal God. The
visual complexity of the work depicts my own inner struggle between
legalism of religion (the elder brother) and the "recklessly
spendthrift" nature of the Father's love in the story. In the art world
and culture in which we celebrate the wayward, but not having the
language to bring the lost (myself included at times) back home, these
series of works probe deeply into the tension that exist within my heart
to love deeply - in spite of the legalism and the waywardness that
prevails in the wider culture.
John - In the Beginning
48x60" Mineral Pigments, Gold on Belgium Linen
This work visually echoes the "Charis-Kairos" cover piece in the same
way that the beginning of the Gospel of John echoes the beginning of
Genesis. The first chapter of the Gospel of John speaks not only about
the origin of all creation in Jesus, but also about the mystery behind
creation. Art needs to inhabit such mysteries - to open us up to the
generative reality of the deeper questions that lie behind our
questions.The portion of John - In the Beginning was done as a live performance, as part of an ongoing collaboration with Jazz percussionist/composer Susie Ibarra (see portion of Plywood documentary here)
Check out more on his site: http://www.makotofujimura.com/